The Brave and the Bold #35

I’d pretty much given up on this title — J. Michael Straczynski’s storytelling skills lately have ranged from incompetent to downright insulting. But I’ve got a weakness for both the Inferior Five and the Legion of Substitute Heroes, so I shelled out the dough to check it out.

This story is closely related to a previous “Brave and the Bold” story where the Legion of Super-Heroes and the Doom Patrol teamed up to save the future Earth from a black hole. Now in the aftermath, the Legion of Substitute Heroes have decided they’d like to get some of that Saving-the-World glory for themselves, so they steal a Time Bubble to try to team up with the Doom Patrol before the Legion can. But they arrive too late, the Legion and the Doom Patrol have already left, and they have to go look for a new team to join with — in this case, the Inferior Five. So in between various time travel mishaps, trying to explain advanced quantum theory to everyone, and losing Dumb Bunny’s tail in the Time Bubble’s machinery… the Legion of Super-Heroes and Doom Patrol still save the world by themselves. Oh, well, at least the Substitutes and the Inferior Five are still friends, right?

Verdict: I think I’ll actually give this a thumbs up. The main thing a story starring the Substitute Heroes and the Inferior Five needs to have is a nice big dollop of silly, and this was a pretty darn silly story. Sure, some of the jokes get hammered just a bit too hard, but it could’ve been a heck of a lot worse.

Astonishing Spider-Man and Wolverine #2

Well, Spider-Man and Wolverine have gone time-traveling, getting stuck in a future where the human race has been wiped out by Doctor Doom, after uploading his intellect into a planet, but the cavemen who Wolverine trained in the distant past have managed to survive and (barely) thrive. While Spidey does what he can to teach them science and try to find a way to defeat Doom the Living Planet if it ever comes back, Wolverine has locked himself away from the world to avoid the former cavemen who now worship him. Finally, Spidey finds the one weapon that could save everyone — the Phoenix Force — and manages to forge it into a single bullet. But when it’s fired, it’s guaranteed to kill whoever pulls the trigger. When Doom makes his return, is Spidey going to be able to fire that fateful bullet?

Verdict: Thumbs up. Lots of great stuff here, including Doom, the Phoenix Bullet, and Spidey’s replacement costume. The dialogue is nice, the artwork is great, and I’m loving the crazy ideas that are getting tossed around here.

Booster Gold #34

Rip Hunter tells Booster that since he rescued Rani from the future, he now has to take responsibility for her as her surrogate father. Booster isn’t ready for that responsibility, but his sister Michelle takes up the challenge. Still trying to figure out a way to stop Maxwell Lord in the past when he was a good guy, Booster takes another trip to the Justice League International days and runs into Ted Kord, who drags him along on one of his get-rich-quick schemes. Soon, Booster and Blue Beetle are on the trail of some strange thieves who stole a mystic book from the Vatican. Needing to track the thieves off-planet, they turn to Mister Miracle and Big Barda, who aren’t very enthusiastic about helping. After riding a Boom Tube to a quasi-fantasy world, they fight a dragon and come to the attention of a fairly unambitious-but-still-villainous wizard called Hieronymous the Under-Achiever. Can the heroes survive against his magical minions and enslaved subjects?

Verdict: A narrow thumbs up. I like the Bwa-Ha-Ha days of the Justice League just fine, but this doesn’t feel like one of the adventures of the new, more competent Booster Gold — it just feels like an old ’80s JLI tale. On the other hand, it is pretty funny, particularly the geeky Hieronymous.

Today’s Cool Links:

• Someone held an H.G. Wells writing contest and got no entries due to silly rules: no sci-fi allowed and handwriting required.
• Bizarro Fiction sounds kinda awesome, especially the “Shatnerquake” novel.
• David Brothers profiles six comics writers doing good work, including Inio Asano, Eiichiro Oda, Adam Warren, Jeff Parker, Naoki Urasawa, and Stan Sakai.

Secret Six #22

There’s a lot of stuff happening in this one — Black Alice and Scandal Savage fight each other, then bond with each other; Catman remembers his awful childhood, his terrible father, and how he took his first steps into adulthood; and Catman takes care of the last people who kidnapped his son, making one more colossal sacrifice to keep his child safe.

Verdict: Thumbs up. There’s not a single bad moment in this issue. The whole thing is just spectacular and awesome and brilliant. I hope Gail Simone never leaves this title.

Spider-Man: Fever #3

Spider-Man is still stuck in the spirit world, being influenced by a spider spirit that claims it gave him his powers. The Sorror-Fly, a fly spirit that used to be a human, is trying to help Peter and give him some context for the strange stuff he sees, but it’s not doing a lot of good. A magical dart fired by the dog spirits a couple issues back finally hits its mark, destroying the malign spider demon trying to influence Peter, but Spider-Man is still poisoned and dying. At last, Dr. Strange finally arrives on the scene and both drains the poison and turns the Sorror-Fly back into a human being. But can the heroes figure out a way to stop the rest of the spider demons before they decide to invade Earth?

Verdict: Thumbs up. Seriously head-trippy stuff. I don’t know that Steve Ditko could have come up with something this wild and weird, but I do think he’da managed something really close to it.

The Unwritten #14

The new Tommy Taylor novel is a forgery, written to be as bad a chunk of writing as possible in order to lure Wilson Taylor, the original author, out of hiding so he can be killed. Tom Taylor, Wilson’s son, and his friends have their own troubles to worry about. Lizzie Hexam’s method of secretly communicating with Wilson through books has been detected by the literary conspiracy controlling the world, and Savoy has been bitten by the supposedly fictional vampire Count Ambrosio, giving the vengeful bloodsucker an unwitting spy into Tom Taylor’s life. And the assassin Pullman is on the scene, too. Once the conspiracy picks up Lizzie, can Tom and Savoy save her and get back underground?

Verdict: Thumbs up. The net is tightening around our heroes — heck, multiple nets are closing in fast. No idea how or if they’re all going to get away from all this. But the ongoing mystery is still enthralling and still very fun to read.

Today’s Cool Links:

• Vote for your favorite Terry Pratchett books in the Discworld Cup.
• The difference between boys bikes and girls bikes? Purely ornamental.
• This has been around for a while, but it’s new to me, so maybe it’s new to you, too. Colleen Coover talks women in comics, both as creators and characters.

Astonishing Spider-Man and Wolverine #1

Spidey and Wolverine have found themselves transported back to prehistoric times. While Spidey has turned into a hermit, caging up giant spiders, letting his beard grow, and doing hardcore research into the time period, Wolverine has taken up a role as the leader of a stone-age tribe, teaching them how to fend off larger and more barbaric cavemen. But Spidey’s discovered that an extinction-event meteor is on its way, and they’re all going to die tomorrow. Is there any hope for anyone to survive?

Verdict: Thumbs up. This had a very nice set-up and fun dialogue. Petey and Logan have been stuck out here for quite a while, and their limited interaction was pretty cool. Not sure we’re going to have any deeply meaningful story here — this is mainly an excuse to get Wolverine and Spider-Man involved in some fun time-travel stuff. There are some things that bug me — humans and dinosaurs never existed at the same time, and how did Peter Parker manage to refine glass lenses to make a telescope? — but those are minor quibbles in a very enjoyable story.

JSA All-Stars #6

A botched spell by Anna Fortune has somehow brought the terrible Subtle Realms to our own dimension — and released the monstrous King of Tears from captivity. Meanwhile, Stargirl has just discovered that the Atom-Smasher who she’s been traveling with for the past month is actually Johnny Sorrow in disguise — he’s been trying to get her to fall in love with him so he can sacrifice her to bring himself back to life. Is there any way for the team to destroy the King of Tears, stop Johnny Sorrow, and rescue Stargirl and the real Atom-Smasher?

Verdict: Amazingly, thumbs up. The art is still awful, but the story and pacing finally make up for it. We get multiple storylines with focuses on numerous JSA members, and they all make sense, and they all get decent coverage. That’s something that this book hasn’t managed yet, and I’m hoping it means good things for this title’s future.

Hellboy in Mexico

A cool little tale of Hellboy’s past, released by Dark Horse in time for Cinco de Mayo — back in 1956, he was assigned to travel to Mexico to track down a force that was causing vampires, witches, and monsters to attack and murder whole villages of innocent people. He runs into some allies — three brothers, all luchadore wrestlers, who had a vision in which the Virgin Mary commanded them to go forth and fight evil. They team up with Hellboy, and all four spend their days destroying monsters and their nights partying hard. Hellboy gets along especially well with the youngest brother, Esteban. But they get sloppy one night, and Esteban gets taken by dark forces. Days of searching turns up nothing, no matter how many vampires they torture, until they find a poster advertising a new rudo luchadore, Camazotz — and a scrawled note demanding Hellboy meet him for a wrestling match from hell. Does Hellboy stand a chance against his former friend?

Verdict: Thumbs up. Numerous thumbs up. Multitudinous thumbs up. Combining Hellboy with luchadores and vampires and zombies is something that’s been hinted at from time to time — the character Lobster Johnson’s history includes a number of old Mexican luchadore movies made in his name — but this is just beyond awesome. It’s a little surprising that we haven’t seen stuff like this more often — we’ve followed Hellboy into just about every other corner of the world already. It really does combine the two genres — Mignola-style pulp horror and luchadore fiction — perfectly — part scary, part heartbreaking, part pure kaboom-blasting-brilliant. I want more of this stuff so very, very much.

Detective Comics #864

Looks like our focus is now going to pass from Batwoman back to Batman — this time, we’re getting a story about Dr. Jeremiah Arkham, former director of Arkham Asylum. He’s now an inmate of his asylum, despised by his former inmates but still ultimately ruling over them because he’s such a remorseless psycho badass and because he used to be the mad mob boss Black Mask. But Arkham still has some big plots in place — he’s attached a bomb to the chest of a stockbroker to get him to sabotage the stock of every corporation in Gotham. Batman has a plan to get Arkham to reveal the codes to disarm the bomb — he gives him access to his three secret patients — three emotionally damaged people who Arkham has kept hidden in cells deep in the asylum’s depths — but is Arkham prepared for the strange transformations his patients have undergone?

Verdict: Thumbs up. Weird, weird, weird. Disorienting and skewed, brutal and mad. Just perfect for a story set inside a madhouse.

Spider-Man: Fever #2

Spidey’s soul has been captured by a bunch of interdimensional spider-demons. They plan to eat him, but they perceive that he’s part spider and part human. So they give him a test — travel into the world of the flies and capture something called the Sorror-Fly. Meanwhile, Dr. Strange travels the mad magical dimensions trying to track Spider-Man down. He gets help from some dog creatures and from an Australian sorceress on walkabout. He travels down a magical river in a mystic swan-boat, meets up with sentient matchsticks (“I’m sorry,” he says. “I don’t speak Match.”), and makes his way through one bizarre world after another. Will he be able to save Spider-Man? And how close is Spidey’s relationship to the spider-demons?

Verdict: Thumbs up. Lots of awesomely weird stuff. Brendan McCarthy really unleashes his imagination here, with an incredibly mad plot and fantastic, crazed artwork. Spidey’s costume as he journeys into the desert is really cool, and almost every page is just beautifully rendered. It may not always make perfect sense, but it’s turning into an outstanding ride.

Spider-Man: Fever #1

It’s been quite a while since Brendan McCarthy had a new comic out, so this one has gotten quite a bit of interest. We start off with the Vulture attacking Spider-Man at the same time as Dr. Strange discovers that the new grimoire he just ordered was sabotaged with a magic signal from one of the more rotten corners of the magical multiverse. The trap creates a spectral spider that moves through New York City, snags Spidey, and actually steals his soul before Dr. Strange can stop it. The demon drags Spidey back through a hallucinatory fever-dream into the depths of the netherverse as an offering to its king, a horrific spider-monster who plans to enjoy a Friendly Neighborhood Spider-Snack…

Verdict: Thumbs up. A nicely weird book, somewhere between Steve Ditko, Vertigo Comics, and Richard Corben. The art and writing are simultaneously Silver-Age classic and acid-trip freaky. So far, it’s really interesting — go give it a look.

JSA All-Stars #5

While the JSA fights off the King of Tears with the timely assistance of a mysterious magic user named Anna Fortune, Stargirl and Atom-Smasher are stuck, powerless, in a magical sub-dimension called the Subtle Realms, trying to fight their way to freedom. Can they survive on their own? And if the rest of the JSA can follow them to the Subtle Realms, are they going to be any better off?

Verdict: Thumbs down. Still the worst art on any DC book. Just relentlessly distracting. It’s hard to focus on the story at all. I’m not real fond of the story either, but I really can’t tell if that’s because it’s not well done, or if it’s just absorbing some of the stink from the artwork. The second feature with Hourman and Liberty Belle is better illustrated, but it’s pretty spectacularly boring.

Texas Tech Associate Humanities Librarian Rob Weiner is getting another high-profile scholarly article published…

Yes, Mary Jane, there is a Spider-Man.

At least, that’s what pop-culture guru and associate humanities librarian for Texas Tech University Libraries Rob Weiner set out to prove in an article published in the International Journal of Comic Art.

A note to comic buffs: don’t get too wrapped up searching the skyline for web-slinging do-gooders just yet.

However, there’s good news for anyone who’s ever picked up a Spidey comic or just worn one of his T-shirts: thanks to you, Spider-Man has found life outside of comic-book pages.

In much the same way that editor Francis Pharcellus Church proved the existence of Santa Claus in his famous 1897 New York Sun editorial, Weiner contends that Spider-Man and his costumed peers have entered mankind’s collective consciousness, filling a shared need for heroes.

“When I started reading graphic novels, I was struck by the fact that stories about Spider-Man or Batman and Superman could have as many plot twists and turns as any story by Shakespeare, Stephen King or Leo Tolstoy,”  he said. “I was struck by how good some of the writing was for these so-called ‘kiddie’ books, and that somehow these archetypical characters like Spider-Man were replacing Odysseus and Zeus as part of modern mythology.”

Snooping around mankind’s collective consciousness for humanity’s new archetypical heroes is a dirty job, but someone’s gotta do it…

Rob gave a talk about this topic at the Lubbock Comic Book Expo back in May, so it’s great to hear that he was able to turn the talk into something that folks outside of Lubbock will get to read and enjoy.

It’s been one heck of a week. If I ain’t mentioned it before, I’m in the midst of moving. No, haven’t gotten a job yet. (Starting to doubt that’s ever going to happen) I’m moving into my brother’s spare apartment here in Lubbock. I won’t be paying $600+ every month in rent, though I’ll still be paying a ton for various bills. Anyway, we’ve had family in town all week long trying to get the apartment liveable and trying to get all my stuff moved over. We aren’t done yet, not anywhere close. So there’s been the stress of moving, combined with the stress of doing prep work for the Comic Book Expo. I’m worn plumb out, and the weekend won’t be much of a break — I’ve still got lots of stuff to pack and move. But if I can’t have a proper weekend, I can at least have a proper dose of FRIDAY NIGHT FIGHTS!

Today’s bit of brutality comes from June 1971’s Amazing Spider-Man #97 by Stan Lee and Gil Kane, as Peter Parker smacks a drug pusher around.

Remember, kids, don’t do drugs, or some radioactive spider-powered nerd is going to ZOMP you good.

There were a couple of different comics that I didn’t pick up this week. Actually, I didn’t even get a chance to get them — they weren’t in the store when I made it in. Could be because they were already sold out. Could be because they weren’t included in this week’s shipment — something that happens quite a lot. Still, even if they’d been available, I don’t think I would’ve bought them. But let’s talk about them a bit anyway.

The Amazing Spider-Man #583

Yeah, the issue where soon-to-be President Barack Obama does the terrorist fist jab with Spider-Man. I’d already heard from a friend who’d seen the comic earlier that he didn’t think it was a very good story, and I was already leery of this being something I’d buy, read, find boring, and want to get rid of ASAP. So it wasn’t appealing to me at all. Just another publicity stunt by Marvel, though by all accounts, it’s been an uncommonly successful publicity stunt — Marvel’s gone back for three printings already to keep up with the demand.

Final Crisis #6

Well, like I’d said previously, I’m quitting the crossovers, especially the crossovers that are $4 instead of $3. I’ve already heard that Grant Morrison finally delivers what he said he’d have in the “Batman R.I.P.” storyarc — the death of Batman. He gets zapped by Darkseid’s “Omega Effect” right after shooting him in the shoulder with a big gun. Way to go, Bats, you actually use a gun on someone, on the biggest, baddest villain in the DCU, a guy who’s planning on killing, well, everyone, and you still can’t shoot him in the head. Great work, man.

Also, please feel free to gasp in wonder at the stunning and humiliating depths of ineptitude displayed by DC’s public relations office. You’re part of a gigantic media megalith like Warner Brothers. You’ve just “killed” the most popular superhero in the world. And you can’t even get a mention on the news because everyone’s talking about Marvel’s publicity stunt with Barack Obama. Congratulations, DC Comics, you are officially the Gang that Couldn’t Shoot Straight.

And in a related topic, could I direct y’all’s attention to this silliness over at Valerie D’Orazio’s joint, referring to the new issue of “Final Crisis”?

This book comes out the same day as the Spider-Man Obama cover. Such a contrast in energy, direction.

I choose hope.

Puhhh-lease. The death of Batman and the guest-appearance of Obama have exactly the same goals: sales. In fact, the energy and direction of both events is blatantly, unashamedly cynical — fake events, publicity-seeking nothingness, and short-term sales boosts. Will Batman stay dead? Certainly not. Did Obama’s appearance serve any greater story? Certainly not. Both events are there only because the publishers believe that readers will buy into the hype and buy the comics.

If anything, I think the Spider-Man comic may actually be more cynical. Marvel head-honcho Joe Quesada has said they published the story only because they found out that Obama is a Spidey fan. It’s the equivalent of a commemorative plate. I don’t blame Marvel for publishing it — if I was in charge of the company, I’d be nuts not to hook my wagon to an incredibly popular president-elect. But let’s not ascribe unearned nobility to what is simply a fairly shrewd PR ploy.

Oh, and one more thing, ’cause I just can’t let this go yet. As far as all the “hope” at Marvel, and the “contrast in energy, direction” between Marvel and DC — in the past few years, Marvel has killed off Captain America, the Wasp, and Kitty Pryde, and had Spider-Man make a deal with the Devil to end his marriage. It takes more than a back-up story guest-starring a popular politician to erase years of cynical storytelling. The contrast between Marvel and DC is nil.

Man, Spider-Man gets to meet all the interesting public figures. Late last year, he got to hang out with Stephen Colbert, now he’s all set to meet Barack Obama.

On Jan. 14, Marvel Comics is releasing a special issue of Amazing Spider-Man #583 with Obama depicted on the cover. Inside are five pages of the two teaming up and even a fist-bump between Spidey and the new president.

“It was a natural after we learned the new president is a Spider-Man fan,” says Marvel editor in chief Joe Quesada about reports that Obama once collected Spider-Man comics. “We thought, ‘Fantastic! We have a comic-book geek in the White House.’ ”

The White House transition team did not respond to a question about the extent of Obama’s comic-book geekiness, but Obama did mention Spider-Man during the campaign, primarily at children-oriented events. And during an Entertainment Weekly pop culture survey, Obama said Batman and Spider-Man were his top superheroes because of their “inner turmoil.” (John McCain picked Batman.)

In the story by Zeb Wells, Todd Nauck and Frank D’Armata, Spider-Man stops the Chameleon from spoiling Obama’s swearing-in. At one point, Spider-Man says he mistook Vice President-elect Joe Biden for the Vulture (a vintage Spider-Man villain).

This is due to hit the stands next week, but if you want this one, ya better get to the stores early on New Comics Day — they’re expecting this issue to sell out fast.

(Link courtesy of ComicBookResources)

When Bahlactus called an end to Friday Night Fights, I expected that someone would eventually bring it back, but I wasn’t expecting it to make its return so soon. But Spacebooger has already jumped forward to make sure the comics blogosphere’s greatest and most brutal tradition continues.

But enough of the preamble: Let’s get going with the All-New, All-Different FRIDAY NIGHT FIGHTS!

From Amazing Spider-Man #573 from just a few weeks ago, by Mark Waid, Patrick Olliffe, and Serge LaPointe, Spidey takes on a bank-robbing villain named the Grizzly, with running commentary from Stephen Colbert:

Bear-fighting, the Wall Crawler, and a fake TV pundit — not a bad way to bring FNF back into action…